Monsters University (2013)
Rated G
Disney/Pixar Animation
I’m growing disappointed in Pixar’s (Disney’s?) recent case of sequelitis. With an impressive run of original work—admirable not only for storytelling prowess, but for dedication to characters and CGI craft–it’s sad to see a recent spate of do-agains.
Still, I enjoyed Monsters University, a prequel to one of my favorite Pixar features. The latest film takes us back to the land of the monsters, at a time when Sully and Mike W. were rival college students.
I like the breeziness of the plot—a fraternity competition to determine the most fearsome frat on campus. The stakes are higher for young Sully and Mike, since their continued enrollment at the university depends upon a victory. Some old favorites are back—Randall!—albeit in younger form, and a new crop of scary-funny characters make the rounds.
It’s not as good as the original, lacking the freshness of the concept of a monster society and infinite doors that connect it to the human world, but it doesn’t embarrass itself and, like the original, finds space for warm touches of humanity (monsterity?).
While I’m not going to beef on the Toy Story movies (together they work as one great film), with Cars 2, it’s offshoot Planes, and a Finding Nemo sequel on the way, I’m longing for Pixar to get back to original work.
Pacific Rim (2013)
Rated PG-13
Warner Bros.
Through an interdimensional fissure deep within the Pacific Ocean emerge the Kaiju, massive monsters that lay waste to cities around the globe. And by massive, I mean these suckers can cradle the Statue of Liberty. By way of response, the world’s governments create Jaegers, equally massive robots to combat the Kaiju. And by massive, I mean these suckers can use a naval battleship as a baseball bat.
OK, right there: if that premise triggers eye-rolling, this isn’t the movie for you. If you’re in, though, this is a rockem-sockem giant monster feature that evokes the best of classic Japanese Kaiju movies (Godzilla, Mothra), while not taking itself too seriously.
Jaegers are operated by two human pilots who link minds to share the daunting burden of being mentally and physically jacked in to the machines. The linked minds allow shared personal experiences between the pilots, thus some level of character development. Our heroes are Raleigh and Mako, respective American and Japanese partners who quickly overcome differences and fears to effectively operate their Jaeger. Props to the screenwriters for allowing the Raleigh character (Charlie Hunnam) to sidestep the cliché of him being a bad boy with a bad attitude who needs to learn to be a team player. Too bad it doesn’t sidestep the cliché of the emotionally wounded heartthrob who must overcome his trauma to be the hero he is meant to be.
Edris Elba has a couple of strong scenes of dialogue as the leader of the Jaeger resistance (“Today, we are canceling the apocalypse!”), and great character actor Ron Pearlman (Hellboy), as usual, makes the most of his limited screen time as a black market dealer. Everything about this movie is big, and it’s big fun.
The Wolverine (2013)
Rated PG-13
Twentieth Century Fox
I like Hugh Jackman. I like the X-Men movie series, despite the fact that I’m having trouble these days seeing daylight between them. But the mutant-trying-to-cope-in-society trope is starting to show its gray hairs. Aside from the locale change (mostly in modern Japan), nothing seems particularly fresh here, but it’s dumb fun. I struggled to place this film within the proper timeframe of the ongoing series, but it doesn’t really matter. This was made to be a standalone picture featuring of one of the most popular X-Men characters.
Jackman’s great, whether he’s brooding over lost love, struggling with something close to immortality, or springing into action with those adamantium claws. A hand-to-claw fight atop a bullet train is the best sequence in the film.
If you’re a series fan, or will watch anything starring Jackman: See it.
Other summer movie reviews:
| Marvin Brown’s Movie Review Archive
In the distant future, man has long ago departed earth for more hospitable climes. Nova Prime is our new home and Smith’s Cypher Raige is the leader of our peacekeeping Rangers. Rangers take on the S’krell, alien beings bent on our destruction. The S’krells hope to vanquish us with their vicious Ursa creatures which, though blind, can hunt by sensing fear. Cypher discovers how to defeat the Ursas by “ghosting,” which is a method of controlling one’s fears, thus becoming invisible to the creatures. He is legend. Now if only he could connect with his distant son Kitai (Jaden Smith), who strives to prove himself to himself and his doubting father.
his destiny and took flight across my movie screen. Kids were standing on their seats cheering. I remember that. The “You’ll believe a man can fly” tagline was one of the best ever written. Even before I’d really learned to appreciate cinema, the special effects, the love story, the soaring 
“The finale, shot-for-shot, matched the finale of (1982’s 
A theme of connectedness and reincarnation binds the stories—lovers who face tragedy in one life, might find happiness together in another; sins and hopes of the past ripple through time and sometimes switch places, depending on the era.
Eight years after events in part two (The Dark Knight, 2008), Gotham’s nearly crimeless thanks to sacrifices of Commissioner Gordon and The Batman, who’s now broken down and in retirement. Not for long. A three-tiered enemy looms, including those operating boldly in the spotlight, like the merciless Bane, and the double-crossers waiting in the shadows.
